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listening to local poets read their work
Dorothy Falls in Queen's Canyon
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Showing posts with label other words. Show all posts
Showing posts with label other words. Show all posts
Friday, July 23, 2010
friends
Friday, May 14, 2010
Billy Collins
Because his poetry makes me smile....
Litany
You are the bread and the knife,
The crystal goblet and the wine...
-Jacques Crickillon
You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.
However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.
It is possible that you are the fish under the bridge,
maybe even the pigeon on the general's head,
but you are not even close
to being the field of cornflowers at dusk.
And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.
It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.
I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.
I am also the moon in the trees
and the blind woman's tea cup.
But don't worry, I'm not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and--somehow--the wine.
The crystal goblet and the wine...
-Jacques Crickillon
You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.
However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.
It is possible that you are the fish under the bridge,
maybe even the pigeon on the general's head,
but you are not even close
to being the field of cornflowers at dusk.
And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.
It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.
I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.
I am also the moon in the trees
and the blind woman's tea cup.
But don't worry, I'm not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and--somehow--the wine.
--Billy Collins
Sunday, May 9, 2010
Happy Mother's Day!
This mother's day, in honor of all the wonderful women in my life...from mothers to grandmothers to sisters and sisters-in-law, to daughters and beautiful friends, a repost of two poems by a pair of my favorite poets:
Antistrophes
Ah, women, that you are here on earth, that you
move here among us, grief-filled,
no more watched over than we and yet able
to bless like the blessed.
From what region,
when the loved one appears,
do you take the future?
More than will ever exist.
He who knows distances
up to the outermost fixed star
is amazed to find this,
your magnificent heartspace.
How, in the crush, do you keep it free?
--Rainer Maria Rilke
TO MY MOTHER
I was your rebellious son,
do you remember? Sometimes
I wonder if you do remember,
so complete has your forgiveness been.
do you remember? Sometimes
I wonder if you do remember,
so complete has your forgiveness been.
So complete has your forgiveness been
I wonder sometimes if it did not
precede my wrong, and I erred,
safe found, within your love,
I wonder sometimes if it did not
precede my wrong, and I erred,
safe found, within your love,
prepared ahead of me, the way home,
or my bed at night, so that almost
I should forgive you, who perhaps
foresaw the worst that I might do,
or my bed at night, so that almost
I should forgive you, who perhaps
foresaw the worst that I might do,
and forgave before I could act,
causing me to smile now, looking back,
to see how paltry was my worst,
compared to your forgiveness of it
causing me to smile now, looking back,
to see how paltry was my worst,
compared to your forgiveness of it
already given. And this, then,
is the vision of that Heaven of which
we have heard, where those who love
each other have forgiven each other,
is the vision of that Heaven of which
we have heard, where those who love
each other have forgiven each other,
where, for that, the leaves are green,
the light a music in the air,
and all is unentangled,
and all is undismayed.
the light a music in the air,
and all is unentangled,
and all is undismayed.
--Wendell Berry
Saturday, February 6, 2010
grace
I was introduced to Berry a couple of years ago. thanks to preachermike for posting this:
TO MY MOTHER
I was your rebellious son,
do you remember? Sometimes
I wonder if you do remember,
so complete has your forgiveness been.
do you remember? Sometimes
I wonder if you do remember,
so complete has your forgiveness been.
So complete has your forgiveness been
I wonder sometimes if it did not
precede my wrong, and I erred,
safe found, within your love,
I wonder sometimes if it did not
precede my wrong, and I erred,
safe found, within your love,
prepared ahead of me, the way home,
or my bed at night, so that almost
I should forgive you, who perhaps
foresaw the worst that I might do,
or my bed at night, so that almost
I should forgive you, who perhaps
foresaw the worst that I might do,
and forgave before I could act,
causing me to smile now, looking back,
to see how paltry was my worst,
compared to your forgiveness of it
causing me to smile now, looking back,
to see how paltry was my worst,
compared to your forgiveness of it
already given. And this, then,
is the vision of that Heaven of which
we have heard, where those who love
each other have forgiven each other,
is the vision of that Heaven of which
we have heard, where those who love
each other have forgiven each other,
where, for that, the leaves are green,
the light a music in the air,
and all is unentangled,
and all is undismayed.
the light a music in the air,
and all is unentangled,
and all is undismayed.
--Wendell Berry
Monday, December 14, 2009
the other christmas poem
The Excluded Animals
Only a certain
claque of beasts
is part of the
creche racket
forming a
steamy-breathed
semicircle
around the
baby basket.
Anything more
exotic than
a camel
is out of luck
this season.
Not that the
excluded animals envy
the long-lashed
sycophants;
cormorants
don't toady,
nor do toads
adore anybody
for any reason.
Nor do the
unchosen alligators,
grinning their
three-foot grin
as they laze
in the blankety waters
like the blankets on Him.
--Kay Ryan
Only a certain
claque of beasts
is part of the
creche racket
forming a
steamy-breathed
semicircle
around the
baby basket.
Anything more
exotic than
a camel
is out of luck
this season.
Not that the
excluded animals envy
the long-lashed
sycophants;
cormorants
don't toady,
nor do toads
adore anybody
for any reason.
Nor do the
unchosen alligators,
grinning their
three-foot grin
as they laze
in the blankety waters
like the blankets on Him.
--Kay Ryan
Thursday, December 3, 2009
a favorite Christmas poem
Bring in a tree, a young Norwegian spruce,
Bring hyacinths that rooted in the cold.
Bring winter jasmine as its buds unfold --
Bring the Christmas life into this house.
Bring red and green and gold, bring things that shine,
Bring candlesticks and music, food and wine.
Bring in your memories of Christmas past.
Bring in your tears for all that you have lost.
Bring in the shepherd boy, the ox and ass,
Bring in the stillness of an icy night,
Bring in a birth, of hope and love and light.
Bring the Christmas life into this house.
--Wendy Cope, 2001
Bring hyacinths that rooted in the cold.
Bring winter jasmine as its buds unfold --
Bring the Christmas life into this house.
Bring red and green and gold, bring things that shine,
Bring candlesticks and music, food and wine.
Bring in your memories of Christmas past.
Bring in your tears for all that you have lost.
Bring in the shepherd boy, the ox and ass,
Bring in the stillness of an icy night,
Bring in a birth, of hope and love and light.
Bring the Christmas life into this house.
--Wendy Cope, 2001
Sunday, November 22, 2009
palm
Interior of the hand. Sole that has come to walk
only on feelings. That faces upward
and in its mirror
receives heavenly roads, which travel
along themselves.
That has learned to walk upon water
when it scoops,
that walks upon wells,
transfiguring every path.
That steps into other hands,
changes those that are like it
into a landscape:
wanders and arrives within them,
fills them with arrival.
Rainer Maria Rilke
only on feelings. That faces upward
and in its mirror
receives heavenly roads, which travel
along themselves.
That has learned to walk upon water
when it scoops,
that walks upon wells,
transfiguring every path.
That steps into other hands,
changes those that are like it
into a landscape:
wanders and arrives within them,
fills them with arrival.
Rainer Maria Rilke
Thursday, September 24, 2009
Autumn
"Autumn Day" by one of my favorite poets.
And in its original German,
Herr: es ist Zeit. Der Sommer war sehr groß.
Leg deinen Schatten auf die Sonnenuhren,
und auf den Fluren laß die Winde los.
Befiel den letzten Früchten voll zu sein;
gib ihnen noch zwei südlichere Tage,
dränge sie zur Vollendung hin und jage
die letzte Süße in den schweren Wein.
Wer jetzt kein Haus hat, baut sich keines mehr.
Wer jetzt allein ist, wird es lange bleiben,
wird wachen, lesen, lange Briefe schreiben
und wird in den Alleen hin und her
unruhig wandern, wenn die Blätter treiben.
---Rainer Maria Rilke
both poems from here
Lord: it's time. The summer was magnificent.
Lay your shadows upon the sun-dials
and o'er the isles allow your winds to vent.
Lay your shadows upon the sun-dials
and o'er the isles allow your winds to vent.
Command the final fruits to be full and fine;
give them two more days in the southern sun,
push them to completion and then run
the last sweetness through the heavy wine.
give them two more days in the southern sun,
push them to completion and then run
the last sweetness through the heavy wine.
He who now has no house, will build one never.
He who is alone, will long so remain,
will awaken, read, lengthy letters pen and in the lanes will forever restlessly wander, when the leaves are driven.
He who is alone, will long so remain,
will awaken, read, lengthy letters pen and in the lanes will forever restlessly wander, when the leaves are driven.
--Rainer Maria Rilke (tranlated by Doug Sutton)
-------------------------------------------------------------------And in its original German,
Herbsttag
Leg deinen Schatten auf die Sonnenuhren,
und auf den Fluren laß die Winde los.
Befiel den letzten Früchten voll zu sein;
gib ihnen noch zwei südlichere Tage,
dränge sie zur Vollendung hin und jage
die letzte Süße in den schweren Wein.
Wer jetzt kein Haus hat, baut sich keines mehr.
Wer jetzt allein ist, wird es lange bleiben,
wird wachen, lesen, lange Briefe schreiben
und wird in den Alleen hin und her
unruhig wandern, wenn die Blätter treiben.
---Rainer Maria Rilke
both poems from here
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